Marcus Bleasedale started his career as merchant banker but longed for freedom from a room just full of computer screens.
A huge shift from business background to the creative environment let the author see the whole new perspective
Bleasdale started by taking shots of dew, mists,sunrises,enjoyed the creative process;he was not encouraged to persue this at school.
Photo documentary is to spread the message. Especially in conflict, it can be impactful to influence and make a change.
with deep empathy comes a reflection of their anger – through your work “You need to be that angry.
Photography is not just about taking good pictures but understanding the people. Be involved and make an impact.
The constructed nature of photography is even more of a fact in the digital age. In many ways, while the digitisation of photography has been understood as transformative, I don’t think we have full appreciated quite how radical the change has been. We have conventionally thought of photography as a practice that makes images directly. This is largely the case with analogue processes, which produce observable or latent images on film or other media. In this context, the camera is understood as a picture-making device.
In the digital era, we still think of the camera of a picture-making device, but this needs to change. In the digital era, we need to understand the camera as a data-collection device, a device which, according to Kevin Connor, is “gathering as much data as you can about the scene, and then later using advanced computational techniques to process that data into the final image. That creates a much more slippery definition of an original, because what is defined at the time of capture is not necessarily a fully formed picture.” With this understanding we need to appreciate much photography has become “computational photography.
This is where we need to change the conversation about photography – meaning news photography, photojournalism, documentary or editorial photography, however your want to name these visual accounts of our world. The change involves understanding the integrity of the image in relation to its function, rather than its philosophical status as an object. We need to focus on the process of photography rather than just its products, and consider the issue in terms of what images do rather than what images are.
Images can have lots of purposes, and there will be many we want to just entertain or please us. For them, we can have more relaxed standards. However, if we want some pictures to be able to function as documents and evidence, we have to ensure certain things so those pictures can function as documents and evidence.
What is truth? Photography certainly isn’t. Photography is artifice. We can underexpose and overexpose the same image, neither version is “true” or “untrue” — it is just a different interpretation of the world in front of us.